


Some manufacturers found their way into rock history by developing a fleet of game-changing amplifiers. Try a tube screamer-type pedal to dial in a lead boost or a silicon-style fuzz for classic, screaming fuzz tones. Recommended Uses: Marshall-type pedals respond especially well with other overdrives and fuzz pedals, as long as they’re first in your chain. Xotic SL Drive for its three-knob simplicity and internal DIP switches. Set at higher gain levels through an already-overdriven amp, your signal can become compressed, dark and muddy.īest in Class: Wampler Plexi-Drive, for advanced EQ options and pre/post gain switching. Marshall-type pedals aren't without their drawbacks, though.
#FENDER VS VOX AMPS FULL#
This tone, on full display across Jimi Hendrix's most memorable live recordings, has also been tackled by others – including Wampler's Plexi-Drive and Xotic's infinitely tweakable SL Drive – which emphasize the feel of a cranked Plexi or JTM as much as they do Marshall's unmistakable growl. Giving players an upper-mid spike and crunchy rhythm tone made legendary by some of rock music's greatest icons – from Angus Young to Jimmy Page – these pedals soon become staples on the boards of gigging musicians who prefer to leave their Marshall Super Lead at home.Īn overlooked feature of many Marshall-tuned stompboxes, however, is the ability to clean up with the guitar's volume knob rolled back. Nearly a decade ago, pedals such as Lovepedal's Purple Plexi and Catalinbread's Dirty Little Secret captured many guitarists' imaginations with their ability to faithfully capture tones hearkening back to the late 1960s and 1970s. Marshall Plexi & Hot-Rodded Marshall Tones As many builders recommend, start with your amplifier set clean and with a relatively flat EQ, using the pedal – and not your amplifier - to accentuate frequencies as desired.ġ. The following amp-in-a-box pedals work best when used as the foundation of your overdriven sound. Capturing the right feel – response to picking dynamics, building accurate EQ sections and ensuring full range of tones is available across all gain and volume levels – is equally important. What is an amp-in-a-box pedal, exactly? The answer is not as simple as accurately reproducing the tone of a cranked up Marshall, Vox or Fender amplifier. As a result, the market for amp-in-a-box pedals has exploded in recent years, giving hobbyists, studio musicians and everybody in between a foundation for their tone without breaking the bank. But tracking down these amplifiers has become increasingly difficult over time. Rock music's history can be boiled down to a handful of different amplifiers.
